From its founding in 1912, the short-lived Keystone Film Company - home of the frantic, bumbling Kops and Mack Sennett's Bathing Beauties - made an indelible mark on American popular culture with its high-energy comic shorts.Even as Keystone brought 'lowbrow' comic traditions to the screen, the studio played a key role in reformulating those traditions for a new, cross-class audience.In "The Fun Factory", Rob King explores the dimensions of that process, arguing for a new understanding of working-class cultural practices within early cinematic mass culture.He shows how Keystone fashioned a style of film comedy from the roughhouse humor of cheap theater, pioneering modes of representation that satirized film industry attempts at uplift.Interdisciplinary in its approach, "The Fun Factory" offers a unique studio history that views the changing politics of early film culture through the sociology of laughter.